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Deselle's

inner peace

 
 
 

日志

 
 

TWENTIETH CENTURY FASHION  

2008-11-26 22:42:41|  分类: 關於衫褲鞋襪的 |  标签: |举报 |字号 订阅

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       ---FROM VOGUE  

                           TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s 

    (Jeanne P.Mummy dressed of 1939 streamlined the figure but allowed the wearer to walk.)      

      "Dressing is the fourth bodily function.After breathing,eating and sleeping-and

          excluding a couple of delicious optional extras-one of the fundamental

          pleasures of the human body is to clothe it."

         

TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s(Marlene Dietrich's monkey fur melodrama' with Reboux hat,23Dce,1939)

      "Which makes fashion-it's closest relation-pretty important."

          "Thoughout the twentieth century,Vogue has acted as a visaul filter.Each season

          designers have thrown ideas into the air and Vogue has caught them and sprinkled

          them over its pages.

          In 1909 electricity was a new sensation,and it was shocking if a woman showed an

          ankle.By 1916,if she smoked in public,Vogue concluded,'she must be an actress.'

          If she wore red lipstick,she was the next best ting to a prostitute.The wearing

          of a veil had orgasmic power.Trousers were slammed as 'audacious'.If bumsters

          had been around,Alexander Mcqeen would have been locked up and labelled certifiable."

                      (Kansai Yamamoto,1971)TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s  

      (Mary Quant's mini skirt,1969) 

TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s  TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s 

                                                                        ("High voltage coat and dress",Bonnie Cashin's,1966)

  (Geoffrey Beene,1986)TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s

     "As long as the average human body is made up of four basic components-one head ,two

          arms,two legs and fleshy undulations in the middle-fashion will continue to excite and

          delight within those strict,but endlessly fascinating,perimeters."

         TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s

                               (Halston-put New York's Studio 54 on the map with his 1975 collection.)

(Ann Demeulemeester's leather halterneck worn by Stella Tennant,90s )

TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s   TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s

                                                      (Ossie Clark's "last word iin long coat",1976)

  (Ralph Laurent's "ladies man",1992,in a lean pinstipe suit with bowler hat.)TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s       TWENTIETH CENTURY FASHION - Des ellegarcons - des elle’ s(Kansai Yamamoto's theatrical"brocade for dressing-up nights":padded satin circis print ,enormous platforms and every color under the sun,1971.)  

          "The fly-past of designers' behaviour througout the century is a seminal lesson to

          those who are thinking of taking up fashion design professionally partners;the most

          creative have a single vision;the most famous are those who either have visionary

          tendencies or big mouths.Sometimes both.The there are the handful of geniuses who

          put beauty and art before everything-and inevitably ended up with nothing:the great

          Orientailst ,Paul Poiret,once held the fashion world in the palm of his hand;the

          brilliant Ossie Clark,who could cut like a dream but couldn't handle his own talent……"

      

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